Much before the Panchayat had made its presence felt, the governing
body in villages used to be the Regedor de Aldeia, a man of standing and much
respect, sorry it was a patriarchal society so I cannot recall a single lady
Regedor.
One of the highlights of the
Regedor’s importance was that Carnaval was heralded in the village with the
khell-tiatros enacting their first play of the season at the Regedor’s house,
lucky were the people who sat in the front row watching these rustic plays. The
tradition continued when the Panchayat started, the season was opened at the
Sar Panch’s residence, here we were in luck, the Sar Panch’s sons, Buchulo and
Celio were our great pals, we needed no second invitation, we were at the Lume
Pereira residence in the afternoon, given balcony seats at a bedroom window, we
were the guests of the Sar Panch, Senhor José Joaquim Lume Pereira.
Khell-tiatros were rustic and very topical; the
personages were the evil batkar ready to fleece the mundkars and take advantage
of their daughters, the church vicar a person to be feared and obeyed chastising
the batkar for his meanness and philandering ways, local romances hardly
disguised everyone knew who was being referred to and delicious songs laden
with innuendo, all this accompanied by a rudimentary brass band. As there was no
stage, the actors enacted the play in a large circle with the respective
‘houses’ set around this circle. The ‘church’ was a part of the circle so was
the ‘batkar’s house’ and so was the ‘mundkar’s’, the entire village represented
in a large circle. One of the personages said
‘Now what should I do? I will go to the batkar’s house
and ask for help’ the band struck a tune and the man reached the ‘batkar’s
house’ in a jiffy. Oh how we loved these little interludes.
Now, no respectable girl or woman was going to act in
a Khell-tiatro full of men, their
reputation would be in shreds, but many men loved doing women’s roles,
all they had to do was stick a very artificial plait of hair to their head,
decorate it with flowers, smear those rough cheeks with layers of powdery pink
rouge, a very red lipstick took care of
the mouth, however, the part we loved the most was when two very polished,
identical in shape and size coconut shells were produced and slipped under the tight
bodice of a flowery much pleated dress, we now had a Josefina where earlier
there had been a José. As this was done in front of us it added to everyone’s
titillation.
Of course khell-tiatros are very much in vogue even
today, they are larger and better, women and girls love to act in them and
surprisingly people take great pride in their acting abilities, people say ‘oh
don’t you know her ? She is from Cortalim, she acts in Khell-tiatros!’ As these
Khell-tiatros are sponsored heavily by the local politicians, a small but a nice
wooden stage is provided with the banner of the troupe as a backdrop, the music
is a modern band with a synthesizer.
Of course, one of the personages still says
‘Now what should I do? I will go to the ‘contractor’s’’
house and ask for help’ the band strikes a tune and the man reaches the ‘contractor’s’
house’ in a jiffy.
The batkar has lost his teeth and clout, he is a
caricature. The priest is now a friend in Jesus. Everything is still out in the
open under a large tree, chairs and snacks are provided at a small price and
housie is played when the actors take a break.
The saddest part however is that religion has reared
its ugly head, in one scene a Catholic boy in love with a Hindu girl, both
deeply in love, both determined to marry, surprisingly both parents agree
without even a discussion. The Catholic boy’s mother has one condition, that
the Hindu girl marry in Church, the girl and her father agree wholeheartedly, the
Hindu girl converts and becomes a Catholic, as an evangelist she converts all
her Hindu friends and with large doses of Bible readings converts her own
father who promptly discards his dhoti for western wear which turns him into a
civilized person.
The mother-in-law ends the scene with gratitude for
the daughter -in-law who has now brought respect and honour for the house and
in the bargain brought ‘lost’ souls into the fold.
There is a lament that Carnaval is no longer what it
used to be, that it is no longer a people’s Carnaval whatever that means, to
these people I say come to the villages, we enjoy ourselves we always have, some
of us even stitch new clothes for this wonderful festival